In America, race matters. The artificial constructs of race, caste, and class have mattered for centuries and still matter today. Sex between white men and African, Native American, and mixed-race women produced off-springs known as mulattos, quadroons, and octoroons. Mulattos are likely to have as few as one or two white grandparents and an African or Native American parent. Quadroons have three white grandparents, while octoroons have seven white great-grandparents.

Mademoiselle Francesca Dumas was a quadroon. According to young and vivacious Francesca, “There are many rules in New Orleans about sex—written and unwritten. The rules apply to everyone—except white men.”

While miscegenation existed all over the South, arranged unions between white men and women of color existed in antebellum New Orleans society by contract in a recognized extralegal system called plaçage. Race, caste, and class are significant matters in Francesca’s life.

The rigid caste system into which Francesca Dumas was born in 1843 was an American institution a century before the United States Constitution was written. European Americans used skin color in the establishment of their caste system. For centuries, the ruling or dominant culture decided segregation of people into subordinate groups—whether by skin-color or some other basis such as religion or linage or whatever. A few examples are societies in China, Rwanda, South Africa, India, and Pakistan.

The caste system that had such a profound impact on Francesca’s American life is alive and well in twenty-first-century America.